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Tampilkan postingan dengan label blogs. Tampilkan semua postingan

Jumat, 18 September 2015

Patron of Reading - Linda Strachan

Yesterday I set off early for Liberton High School in Edinburgh, for what I knew was going to be an exciting day. I was officially becoming their Patron of Reading.  Edinburgh's first!

Liberton High Library



Their enthusiastic librarian, Christine Babbs had approached me some months ago and asked if I would consider becoming their Patron of Reading and I was delighted.  I had visited the school before and had always enjoyed my time there.

The Patron of Reading idea was started by Tim Redgrave, the current headteacher at Ysgol Esgob Morgan in St Asaph, Denbighshire, and author Helena Pielichaty.  It encourages schools and authors to pair up in a close relationship that benefits everyone.  You can find out more about it on the website  http://www.patronofreading.co.uk/ where schools and authors can put their names up to see if they can find a good match.

There are currently quite a number of Patrons of Reading all over the UK but so far there are only 4 in Scotland, three in the Falkirk area and as of yesterday I am the first in the capital. But I am sure there will soon be many more.

I was excited and keen to get started and Mrs Babbs and I had organised a varied timetable of events during the day.  It started with a slightly informal talk to some S5 and S6 students followed by a chance to meet with a great group of bloggers, from all year groups, who will be contributing to the blog I set up.

As Patron of Reading I am keen to get the whole school community involved not just the young people but the parents and all the staff at the school, whatever their role.  One way of doing this was to create a mini website and we are actively encouraging everyone in the school community to write blog posts or book reviews for us.
Our Books On The Brain  is the name of the blog/website and here you can see the book reviews, book lists, writing, news items and competitions.

The blogsite will develop over time as we add to it, but it looks like it will be a lot of fun and the bloggers had some great ideas.

Our first competition was to design the header and it was won by Jamie Cole was in S2 when he designed it last termt.  We were delighted by his great image.
After discussing the blog with our great team of bloggers I went to speak to some of the S4 classes about creative writing and about how much fun it can be doing research for my books.      At lunchtime there was the official launch party and, of course, there was cake!
In the afternoon I spoke to all the S1 and S2 classes and they were a great audience!  There were some fantastic questions and it was a wonderful way to end my first day as Patron of reading.  I am really looking forward to working with the school and getting to know more of the students and the adults in the school community.



For any authors who think they would like to become a Patron of Reading, I would recommend it.  There is no right or wrong way to do it, one of the joys is that it is up to you and your school to decide what you want to make of it and s much is possible!
If you are a school why not approach an author and see if they would become your Patron of Reading.

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Linda Strachan is the author of over 60 books for all ages from picture books to teenage novels and a writing handbook Writing For Children 


Her latest YA novel is Don't Judge Me  published by Strident 2012 

website  www.lindastrachan.com







Senin, 31 Agustus 2015

CHOICES, CHOICES by Penny Dolan - with additional information from Philip Caveney.




  
So, the first of September arrives. A time of positive planning for the months ahead but, oh, so many hard decisions!  Should one opt for last minute places at the autumn conferences, like the National Association of Writers in Education (NAWE) at York? 

Or keep a writerly nose strictly fixed on the screen and WIP - and just finish the damn story thing? 

After all, the Frankfurt Book Fair is looming and editors may be on the lookout, assuming you also fixed that matter of becoming an overnight celebrity. 



  Or should one rush for tickets to October’s book events, like the 40th Ilkley Literature Festival and more? 

If so, will you be hoping for deep literary understanding and inspiration? Or will you be watching for ways to improve one’s own possibly jaded performances? Such ice in the author’s heart! 


Or should one hold back on committing to October events in case the few schools still able and willing to fund author visits decide to contact you? Should you choose to eat or pay your bills, perhaps?

Then there’s that long-neglected website, needing the botox of attention. Or perhaps it is the moment to re-activate the half-forgotten blog? The one you began in the hope of rousing the nation – nay, the world! - into buying your books? Choices, choices, choices!

September is a month for wistfulness too. How swiftly the summer days - having arrived – seem to be over.

And with that, yet another chance for visiting the Edinburgh Festival in all its many forms. 

Was I, as Facebook suggested, the only person not attending?


 So there's a quick extra item today . Here, for those of you whose summer was mostly at a desk, not on some remote Scottish island or idling near Padstow - are one of our newest blogger’s responses to the Edinburgh Fringe 2013.

Philip Caveney on the Highs and Lows of the Fringe.

This was my third visit in a row to The Fringe and it’s always one of the year’s highlights. In 2011, I was there in my capacity as a writer, but this year, I went along as a punter along with my partner, Susan and my daughter, Grace. Thanks to the kindness of my friends, Sally and Gus, we were able to stay in a rather swish apartment on the Quarter Mile, a stone’s throw from some of the hottest events of the festival. If you’ve never visited the Festival, you really must make the effort to go. There’s a real buzz there, and those of you who enjoy celeb-spotting will have a field day. On this trip alone, we saw (and in some cases spoke to) Stewart Lee, Richard Herring, Rebecca Hall (actually staying in our apartment complex!) Nina Conte, Sandi Toksvig, Simon Amstell, Mark Little, Sean Hughes… and many more.


Our first visit this year was to see Stewart Lee at the Assembly Rooms, George Street, with his new show, Carpet Remnant World. We all love Lee’s work and we’d failed to get tickets for him the year before, so this was a must-see. (We were quite surprised to meet him actually handing out fliers as we went in!) I’m happy to report that he was as cerebral, analytical and vitriolic as ever, so we awarded him 5 stars.

(And no, this photo isn't Stewart Lee with Philip Caveney! One's a Plague Doctor. Ed.)

Next up was the National Theatre of Scotland’s musical, An Appointment With The Wicker Man(again at The Assembly, George Street). We’re all fans of the original film and though knowledge of it isn’t essential, it certainly helps! The show was, quite simply, hilarious, full of sly in-jokes and totally inappropriate dance routines. Another 5 star show!

As a Ray Bradbury fan of long standing, I was intrigued to pick up a flier for The Lonely One (Underbelly, Cowgate) an adaptation of a chapter from his novel Dandelion Wine. The company did a lovely job of interpreting the tale through spoken word and shadows and light, managing to perfectly capture the spirit of 1920’s Americana. On the downside, the cheek-by-jowl venue meant that we could hear another actor bellowing his lines in the adjoining theatre through some of The Lonely One’s quieter sections. 4 stars, nevertheless.

Another performer at the Assembly Rooms was Scottish poet Liz Lochead, who also turned out to be an engaging and charming performer. 4 stars.

As Heaton Moor residents, we had to see Punk Rock, by local author Simon Stephens at Space 1, and I’m glad we did, because this hard-hitting play set in a Stockport school was brilliantly performed by the young cast and fully deserved a wider audience. 4 stars.

The following morning saw us enjoying Shakespeare For Breakfast at Venue C34. Well, that’s to say, we enjoyed the Shakespeare, a lively reinterpretation of Romeo & Juliet incorporating a host of contemporary references. The breakfast was rather  underwhelming, comprising as it did, one solitary stale, cold croissant (the coffee machine was on the blink) 4 stars, though I did consider deduction one star for the croissant!

Of course, the run of 4 and 5 star shows couldn’t last, but Amy Lamé’s, Unhappy Birthday was so awful, it barely warranted a single star. Lured along by the fact that the show was about Morrissey (or more accurately his absence from Amy’s birthday party) we had high hopes that were soon flattened . . .

It wouldn’t be the Edinburgh fringe without Richard Herring (we’ve seen his show on our previous two visits) so off we went to the Udderbelly, Bristo Square to see his latest effort, Talking C**k. (Their asterisks, not mine!) While it might not have reached the heights of Christ On A Bike, it was nonetheless funny and thought-provoking and I was amazed to spot Richard in the local Starbucks, only a couple of hours before the show. I hammered on the window and bellowed my praise in his general direction, which was probably quite disconcerting for him. 4 stars.
What a busy few days! Thank you for this account and critique, Philip.


 Hmmm. Clearly, I will need the next eleven months to build up my personal stamina if I have any hopes of seeing all there will be to be seen at Edinburgh 2014. Especially the Children's Book Festival!


 
Oh. Bother. Isn't that another thing I need to make choices about? It never gets easier, does it?






So, do you have any Autumn author goals or promises?


www.pennydolan.com 

A Boy Called M.O.U.S.E. Bloomsbury.






Rabu, 05 November 2014

Invisible boundaries and social media - C.J. Busby

A few weeks ago, a young American first-time author, Kathleen Hale, unleashed a bit of a social media storm by publishing a piece in The Guardian about the increasingly vexed online relationship between authors and bloggers. The article (here) which ran in the Saturday magazine, detailed how she became obsessed by one of her online critics, a blogger called Blythe Harris. When Hale engaged with Blythe's criticism's of her book (despite the many, many warnings she received that authors should not answer back to bad reviews), Blythe and many of her fellow bloggers apparently turned on her and Hale found herself labelled a BBA - a badly behaved author. For Hale (and I should emphasise that we only get Hale's perspective on what happened here), Blythe was wilfully malicious, ruining the reception of her book, and using her clique of friends and fellow bloggers to trash Hale's reputation. In return, Hale details her own increasing obsession with Blythe - an obsession which rapidly moved from what she termed 'light stalking' (gathering any and every detail she could from Blythe's online presence) to what by any standards is just plain stalking - using subterfuge to gain access to Blythe's real-life identity, workplace address and home address.



It's a sorry tale, and I'm not going to rehash the Hale case here, but it did make me think about the business of social media, writers, bloggers and boundaries. Authors, as Hale notes, are encouraged to get online and have a social media presence, but their natural audience, book bloggers and fans, seem quite often to resent authors turning up on their turf and, as they see it, throwing their weight around. A while ago, as a bit of a newbie author, I brushed up against a similar controversy when I noticed an online discussion on a book blogger's site about one of Ben Aaronovitch's Rivers of London series.



I'm a bit of a fan of this series, and was interested to see that the author had stopped by and commented, explaining where some of the features the blogger was discussing had come from in the writing process. It was (I thought) a perfectly polite contribution, and not in the least critical of her analysis, simply adding a bit of background information. But it caused an immediate storm, in which I was very slightly caught up, having added a comment of my own about the strange ways the writing process worked. For some of the following commentators, writers were simply not welcome on a book blogging site - they were guilty of abusing the power they had as authors to dominate a space that was not for them. Book blogs and fan sites should be considered a space for fans and book lovers to freely express themselves and not somewhere authors should feel free to gatecrash.

It was all resolved fairly amicably - Ben Aaronovitch backed down with a bit of grumbling, and I apologised profusely for being new to all this and not understanding the rules of the game. But the Hale article did bring this experience back to me.

What both examples make clear, I think, is that engaging in discussion with other people on social media is now the easiest thing in the world to do, but that it's also potentially perilous - what seems to be a simple opening gambit in a conversation can quickly become a reason for several people you've never met to decide they hate you. And thinking about why this is, made me realise that it's partly about the lack of social clues we have online.

Picture this: an author walks into a cafe, orders a coffee, and then realises that at the table next to him are six women, clearly friends, all discussing why they don't really like his new book. He would have to be completely mad or utterly self-obsessed to lean across and say, "Excuse me, ladies, that point you've just made is very interesting, but as the author, I'd have to say you've misunderstood my intention...." More likely, he'd hide behind a newspaper, or slink out. It's not his place to push into a group which is clearly bounded by longstanding interactions and mutual exchange of opinions. On the web, though, it's hard to see those boundaries, easier to think this is a discussion open to anyone who happens to wander past.

We've probably all had the experience of adding comments on a forum discussion, only to have what we've said utterly ignored as the next commentator simply replies to the one before you, and the next one carries on as if you never said anything. It feels like a snub (it is a snub) - but if this were real life, the group discussing this burning issue would be that bunch of students who always occupy the table in the corner of the canteen, looking daggers at anyone who even thinks about sitting next to them - and we wouldn't be in the least surprised if they ignored our comment. (We'd almost certainly never make it in the first place.)

Would you interrupt the conversation?

As social animals, we have built up over generations the ability to detect the smallest social clues about other people and groups around us. The kinds of interaction we engage in with other people are largely determined by our previous interactions with them, their status as friends or family or work colleagues. Even with total strangers we can use visible clues like dress, body language, expression, context, to judge what is or isn't appropriate. All these help us to 'see' the boundaries that we would be transgressing and the trouble we could be causing if we were to be, for example, inappropriately intimate or aggressive or opinionated.

The trouble with social media is these clues are just not there. We've only had access to this multitude of potential conversations with strangers  for a very short time, and people appear on it as little more than speech. Speech which is devoid of accents, of voice, of clues about who this person is. It's like wandering in a dark fog, listening to many voices all talking at random - but the people behind the voices are invisible. So we have to make guesses about what kinds of people they are, and whether we are gatecrashing through an invisible boundary, or striking up a conversation with someone genuinely interested in talking to us.

Those speaking to each other on a forum, a blog, on Goodreads, can appear as simply a bunch of individuals interested in the same topic, a bunch of reasonable, open individuals who would welcome a newcomer to their midst. Sometimes that is exactly what they are. But sometimes, the invisible boundaries are as fierce as barbed wire, and we cross them at our peril.

The way invisible boundaries are so difficult to negotiate sometimes makes me want to give up on all forms of online interaction. Like Liz Kessler, who posted recently about social media on ABBA (here), I have considered just ditching all of it in favour of interactions in real life only. But, in the end, I don't, because so far I've managed to negotiate those boundaries more or less unscathed, and in the process I've 'met' some really brilliant people (some of whom I've gone on to really meet).

The fact is, most people on social media ARE open, engaged, reasonable and friendly, and, if you transgress an invisible boundary, they are usually polite enough to just inform you gently that you're in the wrong place. But I do think it's important to be aware that just because those boundaries are invisible, doesn't mean they are not there - and when you find a clear notice that says "Authors (or whoever) are Not Welcome Beyond this Point", it probably pays to respect it.




C.J. Busby writes funny, fast-paced fantasy for children aged 7-12. Her latest books, Dragon Amber, is published by Templar.

www.cjbusby.co.uk

@ceciliabusby







Jumat, 18 Juli 2014

YALC and the Beauty of Bloggers - Lucy Coats


Last Saturday I found myself in the company of Wookies, Jedi, sundry Game of Thrones characters, Spidermen, ogres (male and female) and a raft of other bedecked and be-axed cosplayers. I also had the pleasure of meeting some of the many wonderful YA bloggers I chat to and follow online. Yes, this was the mad and crazy glory that was the UK's first ever Young Adult Literature Convention (mixed with lashings of ComicCon). The Daily Telegraph deemed it a hit - and barring a few gripes about the nightmare queues, the heat, the lack of seating, the audio-fails and the heaving walls of bodies blocking the way to the book lecture stage (all dying to have their photo taken with Marvelmeister Stan Lee), I loved every minute. The whole thing was dreamed up by Booktrust and our very own Children's Laureate, Malorie Blackman, and I think we should all stand up and cheer her to the steel rafters that only just kept the roof on Earls Court (the noise was ear-tingling). Much has been written about the brilliant panels and workshops elsewhere, but I want to focus on something else. Yes, those book bloggers.

With much of the newspaper industry (the Guardian being an honourable exception) giving less and less review coverage to children's and YA books, the book bloggers are our enthusiastic champions, and we need to recognise the HUGE amounts of unpaid time and energy they put into reading and then writing about our neck of the literary woods. They tweet, they discuss, they get the word out there, and I think we owe them all a great debt of gratitude - including our very own Awfully Big Review team, of course!

The post-conference 'For the Fringe' party (organised by the indomitable Sophia Bennett) was a marvellous mix of authors and bloggers - @YaYeahYeah, @Serendipity_Viv, @JessHeartsBooks, @Splendibird, @RachReviewsAll, @carlybennett, @lynseynewton...er, in fact far too many to name-check them all here  - and the level of knowledgeable bookish chat was off the scale. To meet so many enthusiastic readers was a shot in the arm for all the authors who were there, I think - and I was kept busy scribbling down new blogsites and book recommendations as well as chatting till I thought my tongue would drop off.

Another thing I discovered at YALC was The Siobhan Dowd Trust in action. Actually, I discovered it before I even got there, while I was still on the tube. Overhearing a group of teenagers enthusing excitedly about their favourite authors (quite a lot of screaming) was another shot in the arm - and I later discovered from their librarian that they were from a Manchester school, and that their trip had been funded by the SDT. They weren't the only ones either. I found more while listening to one of the panels. They were the ones at the front, grabbing the microphone to ask intelligent and insightful questions of the panel members. This is the wonderful thing about the SDT - they give bookish kids opportunities they might not otherwise have had.

Altogether, YALC was a real eye-opener. The power of books and reading to inspire was demonstrated on a grand scale there - and while some may have felt that ComicCon was not quite the right place to have it, personally, I thought it gave the whole thing added 'buzz'. I really do hope it happens again in 2015 - I'm already planning an Egyptian costume. Be very afraid!